Posted in analysis, media

Anl. Cultural Stereotypes in My Big Fat Greek Wedding

While it is endearing,  My Big Fat Greek Wedding relies on stereotypes to communicate the difference between Caucasians and people of color. It is refreshing to see a family like Toula’s. However, I wonder about the portrayal’s accuracy. As a woman of color, I don’t think the society presented is realistic.
 It would have been more convincing to have different kinds of people of color. Maybe some Greeks are not meat eaters  Or, maybe some Greeks don’t over-share. Yes, there are stark differences between cultures, but not everyone within a culture is identical to others in that community. In a way, it is a gloss over all people of color as the “same.” It’s not as complex as I would have liked it to be as a story.
Conversation Starter 

It is still incredible to watch a story with so much diversity and culture. It’s rare to hear the perspective of people of color, without trivializing our views and dismissing them. This is a good start. The film comes from a well-meaning place. It is about acceptance of one’s background, culture, religion, and family. It is about familial love. I enjoy watching Toula get to accept her family and be proud of them. I know for me, it is challenging to be okay with how different we are as people of color.

Intergenerational Cultural Clash 

The cultural norms I grew up with are different from that of my parents, too, and I think this is partially what Toula experiences in both films. She is not like her sister: perfectly Greek. She’s a combination of Greek and American. So, she doesn’t quite fit into the mold of the perfect Greek girl or the perfect American girl either. I can relate to this a lot, because I grew up as a mix between middle eastern culture and American culture. And, even then, I come from a displaced family; wars tore through the routine, which is something touched upon through the character of Mana Ya-ya who is confused by her new surroundings.

Self Actualization: 

Another neat thing to see is Toula’s  growth as a person, as a girlfriend, a wife, and mother. She finds herself in the first and second film. Women are often told that they need to be “pretty” to “get a man.” It is nice to see a story where the characters are focused on more than just marriage. Toula goes to college, the first in her family, and tries to work somewhere other than the family’s restaurant. It’s a reasonable portrayal of the difficulties women of color face when it comes to career-related ambition.

Gender Realization: 

The challenges of gender relations is also refreshing. I like that the women are not presented as quiet shy “things” to be had. They are headstrong sometimes, they are confident and passionate. They’re not overly sensationalized as this exotic different “other,” a refreshing take on people of color for sure. I feel so happy to see such a presentation of a culture so close to my own.

Overall: 

It definitely sends good messages to people balancing different cultures. They don’t have to be at war; they can coexist in the way a person carries his or herself. She is a proud Greek American and this portrayal of a happy, proud and strong Greek American family certainly opened my mind to the idea of being okay with myself as an Arab American and I am grateful for these movies and Nia as a writer because she presents a different voice in a mostly white narrative regarding women (which is often also told by men, unfortunately).

 

When I approached Since You've Been Gone, I slacked and hesitated. Then, one night, I
Part of having an online presence is this weird isolation from real life, whatever that
Social media is rarely seen with a concentration on mental illness. It is fascinating to
Posted in analysis, media

Anl. Life Lessons In Star Wars

I watched The Force Awakens and I have been a fan ever since that late December of 2015. Afterwards, I have managed to acquire the original trilogy and the newest film on DVD and have been watching the daylights out of them.
Mental Power

What I truly love about these films is the lessons they posit, and the wonderful characters who are exposed to such pressures that push them to learn or at least understand difficult ideas. One of the most interesting lessons in Star Wars has to do with developing an understanding of one’s mental and emotional strength. The Force is not a literal blunt physical strength. It is invisible and yet very powerful. Darth Vader is seen choking people with the Force. Kylo Ren pauses a blaster in midair with ease by the Force.

But, as Han Solo puts in the original trilogy, the Force is part of an old religion and is all woo woo. Yet, by The Force Awakens, he openly admits otherwise: that it is all real. The Force is not too far from the imagination; it is a metaphor for spiritual and overall mental strength. It can lead to great strength, but one must train to be mindful and meditative. In essence, this is what Luke Skywalker and Rey learn eventually. They learn to still their minds in moments of fear and stress, and they concentrate.

Here and Now

In other words, the lesson is to stay present in the here and now.

Yoda teaches this lesson in the original trilogy: anger leads to hate and hate leads to destruction. Ultimately, he depicts various wisdoms: first, looks can be deceiving. Rey was shown as a scavenger who is inexperienced when it comes to the Force. Somehow, her awakening is registered on Kylo Ren and Snoke’s radar. She is an equal if not a superior Force user to Kylo, a man behind the terror across the galaxy. The same can be said about Kylo Ren, who is presented as a threat to the universe and yet, when Rey sees him without his mask, she finds him sympathetic and “sensitive.” This is very important to note because Rey’s initial assumption is that he’s just a “creature in a mask.”

 

Identity and Independence

Identity and independence are also themes in the Star Wars stories. We see it on both sides: Rey breaks free from Jakku scavenger life to become a Force user. Luke becomes a Jedi master after wanting to be a simple pilot with the resistance. Kylo Ren wants to achieve what his Darth Vader failed to do, and he rebels against his family in doing so. Finn was a nameless stormtrooper and yet Poe gives him a name, an identity, and they together accomplish missions for the resistance.

Love

The biggest weapon to be used in Star Wars worlds is love. It is Anakin’s love for his children that ultimately gets rid of the Emperor. Luke’s love for Leia drives him to save her in the first place (and even later on, he loves her and Han enough to save them from Jabba the Hutt). Compassion is a driving force (no pun intended) in these movies. Snoke accuses Kylo Ren of being too kind to Rey because he can relate to her. Why is this a negative thing? Well, it’s mostly a “light side” trait. Luke understands his father and is compassionate enough to believe the best in him is yet to come, which turns out to be the key to Darth Vader’s demise and the triumph of Anakin Skywalker (who knows what will happen to Ben Solo. I choose to believe that the best of him is yet to come. But, even if that’s not the case, I find his struggle so, so meaningful and powerful).

Friendship is another strength in these movies. There are epic relationships, iconic, throughout Star Wars. The companionship of cute droids, nonhuman beings, and even humans make the main characters have lots to lose. The stakes are higher than ever. R2D2, C3PO, and even BB8, they are all endearing that I wonder if there is a lesson there, too. After all, the most enduring friendship in the series is that between a human and a wookie. Always, this universe was able to bring to life wonderful characters and break down barriers in its vastness. In the new installments, we see female stormtroopers, black stormtroopers, female force users, and young people part of both sides. I cannot wait to learn what else these films have to offer.

For More:

Lessons from Jedi Master Yoda 
Star Wars Is Not About Good and Evil 
What Star Wars Can Teach Us 

Community is a show that is amusing, sure, but it is also about growth and development.
For whatever reason, I was always under the impression that the Pirates of the Caribbean
Set in 1960, the film opens with the death of Ellie's mother as she prepares
Posted in analysis, media

Anl. Community and Growth

communitygrowinapairCommunity is a show that is amusing, sure, but it is also about growth and development. All the characters grow up considerably over the course of six seasons (and a movie?). In particular, characters: Jeff, Britta, Troy, Abed, and Annie develop a lot throughout the series. They grow into their own identities. It’s not always perfect.
Jeff Winger
Jeff doesn’t quite go down the path we are told to expect of him. He openly admits that he texts all the time yet no one is on the other end. He longs for his father’s attention. He was bullied by Shirley when she was young. He is definitely not the cool and collected person we assume he’d be. He is competitive in the paint-ball matches. He fully embraces Abed’s movies and dialogues.

For his future, he defies what  he’d planned for himself. He wanted to get his old job back, but he’d changed too much. He’s unable to sustain the lifestyle he’d eagerly planned.

When he graduates college and gets his own office, his only case is related to Greendale. The school becomes the center of his world and he can’t get away. It is a community he cannot shake off. He participates in charades within the show. He joins Troy and Abed’s show, their dances, Glee club, the Save Greendale Committee.

Britta Perry 

Britta Perry starts out as a serious cynic. She is not impressed with the government, or politics, or Jeff. Out of everyone in the group, she is the least interested in connecting with Jeff because she knows that he sees her as a sexual conquest and nothing more. As the show develops, Britta becomes almost a caricature of her old self. Her lifestyle is held together by a facade as her parents are helping her behind her own back for the duration of the show.

She pretends to be a hipster out of choice. For example, she has CD player and knock-off phones. However, the audience learns that she can’t afford to be “cool” (whatever that means). This is presented as an-okay thing to be. It is a relief because, in college, there’s a pressure to conform to the rules of coolness.

Troy Barnes

 

He starts off as a failed high school football boy. Troy dons his high school jersey proud. Pierce tells him to lose the jacket. Annie reminds him that he’s not in high school any more. She tells him he’s not “prom king.” Jeff tells him that he’s deciding to keep it or lose it for other people. In conclusion: that’s not a way to live.

This football wonder then becomes attached to Abed. They go on adventures and do things together as much as possible. He goes from being a simple jock to a repairman prodigy. If you thought you saw this coming, remember that he becomes a young millionaire.

Abed Nadir

Speaking of splitting the unlikely duo, Abed also changes a lot and finds himself throughout the show. He goes from being an isolated person to being part of a pair (whether it’s with Troy, Annie, Jeff, or Frankie). Quite the eccentric, he adjusts to the “real world” as much as he can: by infusing it with his interests in film. He often refers to his friends as characters, often reenacts shows and movies, comments on themes in Community. He goes from being the most obscure and seemingly socially awkward part of the group, to perhaps one of its most promising participants. He is the voice of reason, the meta narrator, and he is in fact what brought the group together. He assembled it. He takes in Frankie.

Annie Edison

She goes from being a young girl to an adult. What comes to mind is her appearance. She started out wearing cute dresses and cardigans. Her hair up and pinned, and by the end of the series, her hair down and relaxed, her clothes casual and less rehearsed. She openly tells Jeff to kiss her, not for her sake, but for his. And, Annie is in charge of her life as she interns for the FBI.

Your Turn:

Who are your favorite communities to belong to? Why do you like them? Share in the comment section!

For More:

–Community Wiki 

–Why Community was Canceled 

I watched The Force Awakens and I have been a fan ever since that late
For whatever reason, I was always under the impression that the Pirates of the Caribbean
Set in 1960, the film opens with the death of Ellie's mother as she prepares
Posted in analysis, media

Anl.: Pirates of the Caribbean: Find Yourself

For whatever reason, I was always under the impression that the Pirates of the Caribbean movies are about Jack Sparrow. But, what if the stories are actually about identity, across the board, not just for the pirate? The first film certainly focuses on the journey of all characters towards self-acceptance. I posit that perhaps it is not so much a funny story, too, despite of Disney’s attempts at mocking Jack Sparrow (and I know it gets worse as the movies progress. I remember, distinctly, Jack having multiple eyes drawn on him, and comical music playing the background, as he runs away from some non-white people…which, you know, isn’t offensive or anything. Please note my sarcasm).

So, anyway, the first film introduces the characters, obviously, and in a way, reintroduces them to themselves and to each other. For instance, we begin the story through Elizabeth and Will’s first meeting and the secret Elizabeth keeps from the world regarding Will’s background. From there, the film establishes the connections between the characters (particularly the main four: Norrington, Elizabeth, Will, and Jack). Norrington is hunting down pirates, especially Jack, who is the captain of the last successful pirate ship. The commodore is interested in Elizabeth and wants to marry her. He does not like Will since he can see him as a threat to his relationship with the governor’s daughter. Will is Elizabeth’s love interest. He is the son of one of Jack’s, uh, colleagues. Elizabeth is a means to an end for Jack. Will is Jack’s ticket back to the Black Pearl.
Yet, they are not what they seem. Jack assumes that he is a captain, yet he has no ship or crew. He is rumored to be captain of the Black Pearl, a fictitious ship with a cursed crew. No one believe that this ship exists at all. Throughout the film, Norrington comments on Sparrow’s quality (or lack thereof) as a pirate, calling him, “the worst pirate” he’s ever seen. In fact, the film proposes a question regarding piracy: the rules are complicated and even referred to as “guidelines,” and even the pirates are not all they may seem. I mean, literally: the pirates are the living dead; their identity only shown under the moonlight. Not only that, they break their codes to fulfill their own agendas. Barbossa and the crew’s mutiny is certainly an example of this. Another example of this bending of the rules is when Barbossa betrays Elizabeth (when he first meets her), and Will (when he asks for Elizabeth to be set free).
Jack’s identity as a captain is called into question so many times throughout the first film. An example that comes to mind is when he and Elizabeth are stranded on the Caribbean and Elizabeth asks him how he survived before on the island. He points to the rum as the source of comfort. While Elizabeth gets drunk with him on the first night, she soon realizes that Jack actually didn’t do anything heroic the first time he was left ashore. No getting on sea turtles. No sitting in the water for three days and nights.
Elizabeth pretends to be Bootstrap Turner’s daughter, which is another example of identity being misconstrued in the film. She struggles with being a lady throughout the story. She cannot wear the fancy dresses without gasping for breath. Referring to Will by his first name, and asking him to be referred to by her own first name, she breaks decorum often. In the beginning of the film, she sings of pirates and claims that she’d love to meet one. She is frequently told that marrying Norrington is a good move, however, her attraction to Will puts her in trouble, especially after he is revealed to be a pirate.

The most obvious  identity struggle is for Will–the son of a pirate, working as a blacksmith’s assistant, and yet he is doing all the work as the blacksmith, a fighter, an Elizabeth fan, and a civilian.

It’ll be interesting to see how Elizabeth in particular is treated in the narrative of the next films, because it is very rare to see women presented as more than love interests in pirate films. Wouldn’t it be nice if there were female pirates? Maybe that’s next in Hollywood. One can hope and dream, indeed.

Your Turn

Have you seen the Pirates of the Caribbean movies? Who are your favorite characters? What’s your favorite movie in the quartet? (I am watching them for the first time. So, try not to spoil them too much, savvy?).

When I first heard of Me Before You, I was drawn to the cast. Emilia
While it is endearing,  My Big Fat Greek Wedding relies on stereotypes to communicate the difference
When I approached Since You've Been Gone, I slacked and hesitated. Then, one night, I
Posted in media, review

MR: Dear Eleanor

Set in 1960, the film opens with the death of Ellie’s mother as she prepares for a speech to introduce Eleanor Roosevelt to a room of 200 people. Heartbroken and reeling, she retreats further into herself and feels resentful. Her best friend Max (Max the Wax) writes to Mrs. Roosevelt and shares Ellie’s story. From there, a road trip happens and the two are off to see the former first lady. Hilarity and sweetness ensue.
Characters Delight

I have to say that this movie was absolutely delightful. The scenery was great: almost dream-like.  The characters vivid and animated, particularly Max. I adored Max’s innocence, her childlike wonder, her love for films, her willingness to dream and let others follow their dreams (in fact, she helps Ellie, Frank, and Aunt Daisy achieve their goals, no matter how far-fetched they were). I felt too close to Ellie. She was a bit dark and tortured, which is understandable. I could relate to her loss, and I think that her character was honest and real. I think as someone with mental illness, I kind of try to be more of a Max–happy, energetic, chatty, friendly. She is everything I cannot manage to do without exhaustion and, to be truthful, Max never gets tired of being this way, it’s inspiring and heartbreaking to know that I would never manage to pull it off. So, I am left admiring her, really.

Aunt Daisy was a dream. We didn’t get to see much of her, but the few moments with her are beautiful. I love that she wasn’t perfect. She was scared and different. I like the contrast between her and the other dancers: there she was, dressed in pink tutu and bodice. Meanwhile, the other dancers were in street clothes, black and white mostly. She stood out in the most endearing way ever.

Relationships and Friendships

The relationship between Ellie and Max is beautiful. One pushes the other to grow up (emotionally, sexually, in terms of identity and attitudes towards life) while the younger girl teachers her to maintain a positive view of the world and its inhabitants, to believe the best of people, to forever accept others as they are. It’s great that these two girls never feel jealous of each other. It is a story where women help each other out, support each other, love one another, and that makes it absolutely divine to see. I am happy that I have this little film. I hope you check it out, and feel inspired, too.

Way back in February, I went to the library and grabbed my first Sarah J.
Yesterday, I finished reading the sequel to An Ember in the Ashes, which is called A Torch Against
    I devoured Becky Albertalli's second novel over the course of two days. Many
Posted in media

MR: Growing up in Laggies

I am a big Keira Knightley fan. I adore her so much. So, a while ago, I was perusing the Internet and found this trailer of her movie Laggies. It just spoke to me on a deep level, because, well, I feel kind of lost right now. It feels like everyone is moving on and I am not fitting in with the group of people I thought I’d be with for the rest of my life, sort of like Keira’s character in the film.

So, I bought the movie. It’s one of my favorites now because it is endearing and sweet. It is touching and thought provoking. Maybe loss should not be so negative in my mind because, we all lose things in life. It is kind of the point of growing up: losing things is natural. We let go of things and then new elements kick into our lives, and all we can do is accept these changes, or change life even more. Again, we are not really the boss of our lives, I get that, but what’s the point in forcing things that are no longer there? We all change over the years, and so…why cling to people and ideas that are just old and tired, stale and stiff over the years.

Now, I love the humor of the movie, too, and the beauty in the relationships. Things are complicated and Meg (Keira Knightley) has to figure out stuff. And, she does it over the course of a week. Is that too short? Maybe. Is it possible? Maybe. It has taken me years to accept my illnesses, and sometimes, I still reject them as part of my reality. By the same token, I also reject that some of my friends are no longer a good fit for me. I do get it, every time I watch this movie, I realize that it is okay, it is acceptable, it is fine to just move on and stop trying so hard to keep relationships alive. It takes two to tango, as they say, and I am tired of dancing alone with inanimate objects.

Meg broke off from her friend group entirely, and so have I (unintentionally). I don’t think you have to break up with people. I used to think that way, but sometimes, you just have to let go and not say much, because, well, some things are better off unspoken. This film taught me to laugh, to accept my growth and my journey, and to let go of the hurt and harm of toxic relationships. It has taught me that being an adult doesn’t mean that there’s no fun to be had. You can be young at heart and still be a functioning member in society. Totally doable.

Do check out the film. It is awesome and underrated.

I love the way women are portrayed in BBC's Sherlock. It is refreshing to see
I watched The Force Awakens and I have been a fan ever since that late
Community is a show that is amusing, sure, but it is also about growth and development.
Posted in analysis, media

About Time

There are things in my life that were constant. One of them was a fascination with time. I never liked time traveling stories, though, because it was something I could not comprehend. Time was complicated and cruel. It made me feel not only used, but empty, trashed, in fact. It feels like time mocks us all. It certainly has not played fair for me, especially the past four years. They have passed so quickly and yet so slowly. It is a paradox, I know. Too often, there were days where I just felt breathless–lifeless, if I am being honest.

So, when I watched a movie about a time traveling man, I was surprised that I loved it. “About Time” is a wonderful story about appreciating life as it comes. It is about relishing things thrown our way and not losing a pep to our step. Not ever. Even despite the losses, the pain, the awful days we experience sometimes, it is important to always try to be graceful. Try to be happy and full of love. For me, as someone with depression, I think this is difficult to accomplish, but not impossible. Maybe if I step outside the haze of sadness and grab life by the coattails, I’d be up for a happier time on this earth. Honestly, the movie was so, so beautifully made.

I think, there is something else to consider from this film, which is that love is a wonderful force to behold. Romantic love comes when we least expect it, and sometimes we love people who are not good for us (Like Kit-Kat’s situation or Charlotte). Sometimes, we think we’re in love, but we really aren’t. I have never been in love, so I don’t know what that is like. I cannot speak of what I do not know. However, I can only imagine what that might be like. And, yes, it sounds tricky. It is like trying to bottle up a rainbow or something. The neat thing is that Tim loves his family, too, and he does not forget about them after falling in love. Instead, Mary is integrated into the family very quickly.

One more thing about time travel from this film: it is not necessary. It is not important to impress people. Those who love us do love us completely (I hope so, at least). There is no need to perform an act or two to make good impressions. Being earnest and honest is more worthwhile.  There will always be people who do not like us. It is fine. I know, it is so much easier to say this than actually accomplish it. I may kick myself in the face (somehow) for saying this. Mostly, though, I am appreciative of the lesson.Strongly recommend watching the film. It is one of my favorites for sure.

When I first heard of Me Before You, I was drawn to the cast. Emilia
While it is endearing,  My Big Fat Greek Wedding relies on stereotypes to communicate the difference
When I approached Since You've Been Gone, I slacked and hesitated. Then, one night, I
Posted in analysis, media

Ruby Sparks: On Fiction and Love

Since What If is one of my favorite films, I decided to pick up Zoe Kazan’s film Ruby Sparks. Having read the synopsis, I was interested in how the film would handle the way love is, the nature of identity, emotion, and personal space. It is a story of a writer faced with a block because of his heartbreak. Given an assignment to write about someone who loves his scared puppy, he writes about a girl named Ruby Sparks.

Now, what is really cool about this story is that she is not perfect at all. In fact, she admits that she is a mess. She is lovable, though. She is sweet, kind, understanding. Even when Calvin resents his family, she accepts them and loves them wholeheartedly. She gives them her attention, her love, her openness. In turn, they love her back. I adore her.

This story complicates the traditional view of identity. We often hope for control over others, want them to be happy, want them to rely on us, love us unconditionally and faithfully (often exclusively, too), which is not realistic. People have free will and they don’t always want to be with their loved ones all the time. This perception of love as a co-dependent thing is not healthy. Spending all time with a significant other is not good for either person in the relationship. The movie certainly raises this point and taps into insecurities people tend to have about their relationships. The moment Ruby makes friends, Calvin writes her as dependent on him as possible, and she is miserable. She is crying all the time and clings to him desperately. He is also unhappy seeing her this upset. So, he tweaks her further. So, she is happy all the time. Flinching, he writes her back and forth, toying with her and it breaks him (and her).

It is not until he sets her free, and writes about it, that he meets her again on equal terms. The field is even again. He does not have the upper hand, which is awesome and much healthier to see. I love, love, love this film. It can be hard to watch sometimes because seeing someone being controlled that much is rough. I can say that it is really well written, well shot, well acted, and well directed. It hits home right away. I highly recommend it!

When I first heard of Me Before You, I was drawn to the cast. Emilia
While it is endearing,  My Big Fat Greek Wedding relies on stereotypes to communicate the difference
When I approached Since You've Been Gone, I slacked and hesitated. Then, one night, I
Posted in analysis, media

This is Where I Leave You

I really, really, really love this story of This is Where I Leave You. The actors are all great, and the story is wonderfully touching. Okay, I will be open to admit that I picked the movie because it has Adam Driver in it, but I ended up liking it for the whole ensemble. Tina Fey is hilarious and so relate-able. It is kind of hard to look at characters individually, because the whole family fits together beautifully.

The refreshing thing is that everyone is messed up in their own way. All the Altmans lost their father, Mort. But they have also lost things on a personal level. Philip is dating his ex-shrink (and loses her eventually). Wendy lost her boyfriend Horry, who got brain damage. Judd’s marriage is in shambles. Paul is losing the family business because his brothers want to be part of it with him. And, their mother has a secret of her own (I won’t reveal it. I’ll try not to).

Humor can act as a way to communicate really complex ideas, and the funny moments in this story are very human and real. There’s no forced humor, really. I mean, yes, there is some (one or two?) moments of toilet humor (I laughed, I am mostly mature, but it was still pretty funny). But, for the most part, when the characters confront one another, or when they have sincere moments of frankness, it is still sometimes amusing. It is not beat-over-the-head type of moral lessons. In fact, the story is more open ended and vague. We don’t get to know specifics about where the characters are really headed. And, for me, that’s quite a relief, because life is rarely not messy and easy to follow.

Complexity is rare in films nowadays, unfortunately, but this film explores the way relationships don’t always make sense (not right away, anyway). And, that makes me love the story so much. I hope you get to check it out.

When I first heard of Me Before You, I was drawn to the cast. Emilia
While it is endearing,  My Big Fat Greek Wedding relies on stereotypes to communicate the difference
When I approached Since You've Been Gone, I slacked and hesitated. Then, one night, I
Posted in media

MR: Me, Earl, And the Dying Girl

This is one of the very rare occasions where the movie is better than the book. Loaded with gross humor, the book comes across as juvenile. On the other hand, the film highlights the beauty of the book, which is that it is a story of growth, coming of age, innovation, creation, loss, fear, life, friendship.

It is truly a beautiful fun film. With sharp wit, and a wonderful sense of humor, the story progresses as Greg befriends Rachel. I thought their relationship developed at a great pace. The actors did a marvelous job connecting on screen and capturing the nuances of connecting.

Earl is excellent, too. His relationship with Greg is fascinating. Their collaborations are brilliant (even if they that their work is horrible. I truly would watch those movies and enjoy them thoroughly). Earl is perceptive, sensitive, thoughtful. He balances Greg out. I love that their friendship is not perfect; that despite their differences, they bond but still have tension. I love their argument/fight scene.

The film is quite nice to watch. It is visually appealing. Beautifully shot. I like that it does not show us Rachel’s final film. It’s “so bad” that it “kills” her. I can relate to Greg’s guilt after that film. But, like many films about death and life, we learn that there is life after death: we can continue to know a person and discover them long after they are gone. People are endless seas, deep and tremendous, with much more nuance than we tend to give them. And, I suppose the message of viewing people more complexly comes to mind with this film, too.

Definitely, this is one of my favorite stories to watch unfold. I may not be as crazy about the book as I am about the film, but I would recommend both. They teach so much, without sounding preachy. They reflect on life and its complexity, at an age of confusion as a backdrop. Check them out!

A discussion of my favorite and most surprising friendships on Grey's Anatomy. Prepare for some
Hi. This is my first Spotify Playlist Project entry of 2018! As a series, this collection
      I finished watching season 1 of The Good Place on Netflix. Here are some